Natalie Learns The Ropes

This program is a little different from the usual Jay Edwards video -- here, he takes his time binding, gagging and even coaching his lovely young victim. Lots of onscreen tying and Jay's slow approach allows us to watch Natalie as she proceeds along her bondage pathway -- Jay is the first man to tie her up and she needs to learn. The extended first scene (20 minutes) proves that Jay isn't always so rough with his submissive beauties but the rest of her day is not going to be easy. She wants to make him happy and she tries her best -- squirming against the tight ropes and pleading for a little mercy as he bends her to his will. These five standing positions emphasize Natalie's uncommon beauty --from her golden mane of blonde hair to her perfect C-cup tits and on down to her shapely legs. In the first three scenes, her elbows are roped together onscreen along with onscreen clampings of her pert nipples. As the day drags on, Natalie is stretched out beneath the stairs, her almost naked body on full display. Jay walks down from his office and actually ignores the struggling girl as she tries to make the best of her situation. Her soft mewling and sensual wriggling tell us that she is enjoying her submission -- or at least accepted her fate. She is soon tit-clamped with sturdy red clothespins and red duct tape is smoothed over her chin-strap ballgag, completely covering the lower half of her face. Finally, her crotchrope is roped to a nearby railing, arching her forward and digging into her pretty pussy. Now roped to the banister by her crotchrope, Natalie moans into her red ballgag as she tries to relieve the pressure on her feet from her 5' heels -- heels she has been standing in all day! She is subconsciously rubbing her pussy into the wooden railing and Jay offers her some encouragement as he snaps clothespins onto her tits. She is not happy when he re-ties her elbows together (again!) and then bends her over into a strappado and ropes her forward. She pleads for him to stop: 'No. I can't.' she mumbles into her gag. She isn't kidding -- this is real -- but he tells her that she must and walks away, leaving her to deal with true helplessness.